Bio

Composer Nickitas Demos (b. 1962, Boulder, Colorado) holds a Doctor of Musical Arts degree from the Cleveland Institute of Music and Case Western Reserve University, a Master of Music degree from the Indiana University Jacobs School of Music and a Bachelor of Music degree from the University of North Carolina at Chapel Hill. His principal teachers were Donald Erb (1927-2008) and Roger Hannay (1930-2006). His music is influenced by a rich blend of Greek folk rhythms, Byzantine chant as well as jazz and pop music and has been described as “…emotionally direct and powerful…” (MusicWeb International) and as “…substantive…accessible and personal, not derived from any ‘-ism.’ ” (ArtsATL.com).

His commissions include works for the Cleveland Orchestra, Atlanta Ballet, Nashville Chamber Orchestra, Atlanta Chamber Players, the Georgia Music Teachers Association and the National Association of College Wind & Percussion Instructors. Demos is the recipient of numerous grants and awards including Special Distinction in the 43rd Annual ASCAP Rudolf Nissim Prize for his composition Three Soundscapes for Symphonic Winds (2023); Winner of the American Prize in Composition - Chamber Music (2021); Finalist for he American Prize in Composition - Orchestra (2016); Semi-Finalist in the 2015 Rapido! Composition Competition; a MacDowell Fellowship (2012); Grand Prize in the 2004 Millennium Arts International Competition for Composers; Grand Prize in the 2005 Holyoke Civic Symphony Composition Competition; Birmingham and Atlanta Prizes in the Hultgren 2005 Solo Cello Works Biennial Composition Competition; and 25 ASCAP Awards among others. His works have been programmed at festivals, symposia and conferences including the Bellingham Festival of Music; Dimitria Festival (Thessaloniki, Greece); International Review of Composers (Belgrade Serbia); International Festival – Institute at Round Top (TX); Ernest Bloch Music Festival (Newport, OR); New Music Forum Festival of Contemporary Music (San Francisco, CA); and at National and Regional Conferences of the Society of Composers, Inc. (SCI) and the College Music Society (CMS). His music is self-published through Sylvan Lake Press (ASCAP) and has been recorded on Ablaze Records, Albany Records, MSR Classics, Neuma Records, Petrichor Records, and Capstone Records.